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blessed and broken and distributed to be eaten by them was his body, and that the cup of wine which he had blessed and told them to drink was his blood. He said that by his death a new covenant was inaugurated, a new relationship established between God and man. He signified that in what he was about to do and suffer, the divine activity of redemption prefigured in the ritual and cult myth of the Passover was now to be fulfilled in him. Whether he intended his symbolic acts and significant words to become a rite to be continuously repeated is uncertain; but the Pauline account of what took place on that Passover night shows that even before the earliest gospel was written, the primitive Church had come to regard that as his intention. [3] In the early Christian treatise known as The Didache, [4] and in Justin Martyr’s Apology, [5] we can see the early stages of development of a eucharistic ritual which may be seen in its full splendour in such a sacramentary as the Sarum Missal which represents a typical Western Mass as it was celebrated in England during the Middle Ages. We have seen that in the most important occasion of the Babylonian religious year, the New Year Festival, there was a dramatic re-enactment of the death and resurrection of a god, his triumph over the forces of chaos and darkness, and its result in the subsequent ordering of creation. The ritual was accompanied by the recitation of the Enuma elish, a sacred chant which constituted the myth, or spoken description of the situation, enacted in the ritual. Other elements forming part of the ritual pattern were a triumphal procession and a sacred marriage. The king played an important part in the ritual, and the renewal of the kingship, upon which the well-being of the community, its salvation, depended, was the central feature of the whole proceeding. We also saw that the spoken part, the myth, was not a mere description of the situation, but had magical power to restore life to the dead god. We saw that a real situation, the deliverance of Israel from the Egyptian bondage, acquired a cultic significance. It became an annual ritual in which certain symbolic acts were performed and a cult myth was recited which described the original situation, not in historical terms, but in terms calculated to enhance the power and glory of Israel’s God and to celebrate his redemptive acts. The death of a victim formed part of the ritual, and the Kingship of Yahweh was reaffirmed in the triumphal song which accompanies the cult myth, ‘The Lord shall reign for ever and ever’ (Exod. 15:18). Now in the Eucharist we have all these elements centred and transformed in a situation whose ultimate reality transcends the merely historical level. The simple but profoundly significant scene in the upper room in Jerusalem has, in the course of centuries, been expanded and developed into a tremendous dramatic ritual representing in unending repetition the saving mystery of the passion, resurrection, and triumphant vindication of the Suffering Servant who is also the King of Glory. The details of the ritual and the differences between East and West belong to liturgiology. The point which concerns us here is that into the four-action pattern of the liturgy, repeating the actions of Jesus at the Last Supper, there was introduced at a very early date the myth, the spoken part of the ritual, describing the original situation. The words used are the words in which St Paul described the actions and words of Christ at the Last Supper in his letter to the Corinthian Church. Paul says that he has ‘received of the Lord’ the account which he here gives of what took place on that occasion. This can hardly mean that he had received the information by a special revelation. It should rather be understood to mean that when he was received into the early Christian community and received instruction as a catechumen, this account of the Lord’s actions and words was given to him as an essential part of the sacred tradition of the Church resting upon apostolic testimony.
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